Notable Buildings And Monuments Codexery

Gateway Arch

Monumental gateway honoring Hadrian in Athens.

Gateway Arch

via Wikipedia: Arch of Hadrian (Athens) · see source

The Arch of Hadrian (Greek: Αψίδα του Αδριανού, romanized: Apsida tou Adrianou), most commonly known in Greek as Hadrian's Gate (Greek: Πύλη του Αδριανού, romanized: Pyli tou Adrianou), is a monumental gateway resembling—in some respects—a Roman triumphal arch. It spanned an ancient road from the center of Athens, Greece, to the complex of structures on the eastern side of the city that included the Temple of Olympian Zeus. It has been proposed that the arch was built to celebrate the adventus (arrival) of the Roman emperor Hadrian and to honor him for his many benefactions to the city, on the occasion of the dedication of the nearby temple complex in 131 or 132 AD. Since Hadrian had become an Athenian citizen nearly two decades before the monument was built, Kouremenos has argued that the inscriptions on the arch honor him as an Athenian rather than as the Roman emperor. It is not certain who commissioned the arch, although it is probable that it was the citizens of Athens.

height
630 feet (192 m)
architect
Eero Saarinen
construction_start
February 12, 1963
construction_end
October 28, 1965
cost
$13 million (equivalent to $98.4 million in 2024)
opened_to_public
June 10, 1967
location
1764 site of the founding of St. Louis on the west bank of the Mississippi River

Lore & Background

The arch is located 325 metres (1,066 ft) southeast of the Acropolis. Two inscriptions are carved on the architrave of the arch’s lower level, one centered over the arched opening on either side. On the northwest side (towards the Acropolis), the inscription was: ΑΙΔ' ΕΙΣΙΝ ΑΘΗΝΑΙ ΘΗΣΕΩΣ Η ΠΡΙΝ ΠΟΛΙΣ (this is Athens, the ancient city of Theseus). The inscription on the southeast side (facing the Olympeion) reads: ΑΙΔ' ΕΙΣ' ΑΔΡΙΑΝΟΥ ΚΟΥΧΙ ΘΗΣΕΩΣ ΠΟΛΙΣ (this is the city of Hadrian, and not of Theseus). An ancient scholium (marginal note) on a manuscript of Aristides states that the emperor Hadrian, when he was expanding the city wall (of Athens), wrote (inscribed) at the boundary of the old and the new areas of Athens a double inscription matching the sense, but not the exact wording, of the inscriptions on the arch. Based on a combined reading of the arch inscriptions and the scholium, it was at first accepted that the arch stood on the line of the Themistocleian wall and that it marked the division between the old city of Theseus and the new city of Hadrian. A gate of the Themistocleian wall has been excavated c. 140m east of the arch, which has settled the question. Stuart and Revett, who did the earliest and only complete architectural study of the arch in 1751-53 CE, were perplexed by the fact that the arch is not aligned with the Temple of Olympian Zeus, despite the fact that it is only c. 20m from the peribolos wall (boundary wall) of that complex. Excavations in the intervening time have shown that the arch is aligned with an ancient road that was roughly on the same course as modern Lysikrates street. The arch faces the Choragic Monument of Lysicrates 207m to the northwest along this street.

Reader's Guide

The entire monument is made of Pentelic marble, from Mount Pentelicus, 18.2 km northeast of the arch. Pentelic marble was used for the Parthenon and many other notable structures in Athens, although its quality can vary significantly. The marble used for the arch is of a lower grade that had more inclusions than that used in the best Athenian buildings. The arch was constructed without cement or mortar from solid marble, using clamps to connect the cut stones. It is 18m high, 13.5m wide, and 2.3m in depth. Its design is fully symmetrical from front to back and side to side. The single arched passageway of the lower level is 6.5m wide and was supported by pilasters crowned with Corinthian capitals. Similar, but taller, pilasters flank the outer corners of the lower level. The space between the outer pilasters and the arched opening was filled in with squared stones with drafted edges to emphasize the design. On either side of the central passageway was a Corinthian column on a rectangular, raised base projecting from the center of the wall. The lower level was crowned with an Ionic architrave capped with dentils and a projecting geison. The upper level of the arch (the attic) was composed of a series of Corinthian columns and pilasters dividing the space into three rectangular openings. Each of the outer openings was crowned with an Ionic architrave capped with dentils and a projecting geison, in the manner of the lower level. The central opening, however, was flanked by antae with engaged Corinthian half-columns that supported a projecting triangular pediment, which rested above the dentils, geison, and sima that joined to those of the two wings. At the peak of the pediment, there was a small vegetal acroterion. The central opening of the upper level was originally closed off by a thin screen of stone, c. 7 cm thick. Graindor states that the screen of the central opening of the attic was removed for aesthetic reason on the instructions of Queen Amalia, for whom the avenue running past the arch was named. Only the slots for its mounting are now preserved. At the time that it was recorded architecturally by Stuart and Revett in the mid-18th century, the base of the arch was buried in earth only to the level of around three feet. Given that it was thus never protected by being buried during its nearly nineteen centuries of existence, the arch entered the modern era in extraordinary condition. Although the columns of the lower level are missing, the arch is preserved to its full height and towers over modern Amalias Avenue. In recent decades, atmospheric pollution has damaged the monument. There is extensive discoloration of the stone and degradation of the inscriptions.

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